Author Archives: thesupercoda

See, that’s not true.  As a means to promote this event I just posted on FB that I have no knowledge of market strategies and/or target markets and it’s not that I don’t per se, because I observe their tactics … Continue reading →

If you don’t want to hear about my personal life, scroll to the second half of this post.  Here, you’ll find the lineup for the final night of the Brooklyn Experimental Song Carnival (6/18/16) alongside reflections pertaining to the Carnival as … Continue reading →

If you are living and working as an artist in brooklyn chances are you’re wondering how to pay rent.  you are prey to difficult living conditions.  you take on strange jobs to carry you through.  on top of this you … Continue reading →

Naked Roots Conducive & The Super Coda are THRILLED to present the first annual Brooklyn Experimental Song Carnival. We will no longer force experience from experiment. We will create a context in which song once again births ritual. We will … Continue reading →

i am fairly certain that songs do not convey the information we think they do.  for example, i was well into my 20’s by the time i actually started listening to lyrics (listening and memorizing share few genes.  if my … Continue reading →

We eat bread with (a) sour cream (-like substance).  We eat bread with chocolate frosting. We eat bread with fig, rhubarb, cherry jam and marmalade.  We eat brown bread, rye, seedless rye, pita, baguettes, stale bread, soft rolls, hard rolls, … Continue reading →

(Disclaimer:  I “used to be” a nihilist, in both the Nietzschean and Big Lebowski-an sense.  Live to embrace exposure, in whatever form it takes.  Also, please do not try this at home.) We hear what we want to hear.  This … Continue reading →

Facebook results in Bruxism.  So does Roulette.  So does Cocaine. Here is the truth:  I honestly believed I was living my life as closely as humanly possible. By closely I mean to death.  By death I mean absurdity, absolutism, annihilation … Continue reading →

The Super Coda is accepting submissions for Trauma Salon, an ongoing attempt to understand the nature of Trauma in Performance.  Submissions should both consider Trauma as you understand it (have been exposed to, seen/felt) and how and why that understanding … Continue reading →