A few weeks ago I had the honor of sharing a bill with Natura Morta, three gentlemen who are, in my humble opinion, conjuring the only sound possible, right now. Something happens when they perform. Something surpasses determinable acoustics, even basic compounds such as tone, volume, texture, attack, timbre, performance, resonance (although these cues are very operative and probably relevant). In seeking explanation I find myself partway through La Mont Young’s Dreamhouse and one foot (no, both feet) in a Turkish Bath (House of Leaves also comes to mind). What I am struggling to affect is this idea of a sonic space so rarely encountered that one completely loses oneself inside, confusion turns to absolute fixation, and whatever the physical space surrounding the sound was is now no more. Everything but this living, breathing acoustical sphere disappears. We have tapped into something infrasonic, wind-in-tunnel-dog-out-window. This is a sound not without danger, as it may house the secret of time.
That being said, here’s the Call:
Call for Entry: Time Dilation and the Acoustical Orb(it)
The Super Coda is accepting submissions for an evening of acoustic experimentation on November 17th, 2014 at Panoply Performance Laboratory. Up to three musicians/ensembles will be invited to present work that confronts the possibility of sound that physically alters both the listener and the space in wherein listeners live. This Call is open to all. Consideration will be given to those who work specifically within acoustic fields of Scraping, Sculpting, Noise, Object Manipulation, gongs, Voice & Performers investigating sonic phenomena. (Also anyone who is fucking conscious of what is going on here)?!
If interested, please send a paragraph explaining why you want to do what you want to do to email@example.com. Links to any websites/audio/video you find pertinent to this particular project or that you just really like, especially if I don’t know you I want to get to know you.
DEADLINE: November 7th 2014.
The Super Coda